Now that you know how to make the paper-mache, you need a fun project to create with it.
Paper-mache can be used for a variety of craft projects, so let your imagination run wild. Get started with these ideas:.
Water Flour Bowl Spoon or whisk. Pour the flour and water in a large bowl and stir it well. You want the mixture to be thin, with a consistency similar to pancake batter.
Keep mixing until there are very few lumps left. Use a whisk or a hand-held blender to remove any remaining lumps.
How to Create Papier Mâché: 11 Steps (with Pictures) - wikiHow
Store this paper-mache paste in a covered bowl or jar in the refrigerator for a few days. Tips If you don't like the smell of the glue mixture, add a pinch of cinnamon for fragrance. Add a few drops of food coloring to the glue, if necessary, but use care as food coloring can stain fabric. Though it is uncommon, some people with sensitive skin may have an allergic reaction to the flour mixture. A mild rash is the most common reaction. If your child has very sensitive skin, a pair of rubber gloves will protect them.
Put together the paper-mache pinata, let it dry, and then fill it with candy. Paper-mache globe : Cover a balloon with this paper-mache mix and let it dry. Once dry, pop the balloon, and it is ready to paint with blue and green to represent the Earth. It can even be incorporated into a science fair project and used to represent other planets.
Paper-mache volcano : Use your new paper-mache skills to make your very own volcano. First used by the Chinese around B. With its arrival in Europe from Asia in the 17th century, it carried the scent not of glue or flour but of exoticism.
It was the ideal material as well for the droopy, organic abstractions of the German-born American artist Eva Hesse — easy to stretch into a dangling or lumpy shape to be covered in sinister black paint. Her work illuminated how much paper is like skin, at once frail and robust, susceptible to puncture and able to weather the years.
Marble wall of Ruskeala
Her pieces — large, vividly painted animal heads and planets; a massive, ancient-looking diving helmet that seems to be encrusted with rust and brine as though it were fished from the bottom of a wreck — convey both a weightiness and a sense of whimsy. Although she mounts the headpieces, including a tentacled nautilus, a seal and a raven, on plinths to display some of her work is available through John Derian in New York , she also appears in photographs wearing them — on a subway car, a deserted beach, a brownstone stoop — paired with street clothes, to uncanny effect.
Elisa Lendvay , 43, who lives and works in Poughkeepsie, N. She tints the glue some artists use methyl cellulose instead of flour, which can develop mold or attract insects if not stored properly , with gray pigment, then coats armatures and forms to achieve a surface that resembles dirt, soot or concrete.